How did Dinosaurs Sound? – Reconciling Science and Imagination

In my research, I will explore how science and imagination combine to form a foundation for the sound design of dinosaur vocalizations. Where did the classic “roar” of the T-rex originate? How has the sound design changed in response to new research findings? Will we ever learn what dinosaurs actually sounded like? I hope that my research project may facilitate an understanding and appreciation of the process behind innovation as I will observe first-hand how paleontologists and sound designers work together to develop possible dinosaur vocalizations. In the first stage of my research, I will interview at least two paleontologists about the science behind dinosaur vocalizations, inquiring about modern research and the evolution of current theories. The secondary stage with involve interviews of a similar nature with at least two sound designers. My final stage will be a hands-on information synthesis. Using the knowledge delivered in the interviews, I will develop my own conjecture as to how dinosaurs sounded and write a brief piece explaining my creative choices.

On Being the Participant for a Day

This past week, I got to be the guinea pig during EEG training for lab members. For once, instead of being the one doing the poking and measuring and taping, I was the one being poked and measured and taped. Because most of you reading this have probably never done an EEG study before, I thought I would take this chance to explain to you what happens in our lab during the EEG portion.

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More Trouble, More T1s. Also, Data Analysis!

In the past few weeks, I have discovered that the experimentalist, unlike the theorist, its book-dwelling cousin, spends a majority of its time troubleshooting equipment. As discussed previously, NMR experiments are extremely demanding on experimenters and equipment alike – after all, we are manipulating atomic nuclei on a quantum level. Given the rigorous requirements of these experiments, it is natural that equipment failure will occur and technical problems will arise. Since my last post, the lab has faced a number of  such technical problems, including a broken preamplifier, temperature controller, and probe. Each of these components play a necessary role in NMR experiments: the preamplifier, for instance, is necessary for data collection to occur. As previously mentioned, NMR measures the relaxation of magnetization vectors as they precess back to their equilibrium state. These precessions take place on the quantum level; as such, the resulting signals are incredibly small, usually on the order of microvolts (10-6 volts). Therefore, a powerful preamplifier is needed to boost the signal before it is sent to the analog-to-digital converters (ADCs) and onto the computer for signal averaging. Despite its relative importance, the broken preamp was only a minor inconvenience – there are several other preamps in the lab, which will be used until the broken amp is repaired or replaced.

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Mo’ Pulses, Mo’ Problems or An Attempt at (Triple Quantum) Coherent Writing

I have spent the last two weeks calibrating and executing multiple pulse sequences. These sequences, once perfected, were used to further study the molecular structure of scandium oxide (Sc2O3). As stated earlier, NMR measures the response of atomic nuclei to radio-frequency pulses. Although a reasonable amount of information is obtainable from single pulses, the multi-pulse sequences I have been working with can be used in order to manipulate a sample’s quantum states. In one particular experiment, the “double frequency sweep,” a four pulse sequence is used to create “triple quantum coherence” in a scandium oxide sample.

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